Fresh Air

For some, Detroit may be a symbol of urban decay; but to Charlie LeDuff, it's home. LeDuff, a veteran print and TV journalist who spent 12 years at The New York Times, where he shared a Pulitzer Prize in 2001, returned home to the city after the birth of his daughter left him and his wife — also a Detroit native — wanting to be closer to family.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

This interview was originally broadcast on Oct. 15, 2012.

Whenever Tyler Perry is in front of the camera, he's usually behind it as well. A screenwriter, director, producer and star, Perry grew up poor in New Orleans, but he has become a movie phenomenon — he was described in the New Yorker as the most financially successful black man the American film industry has ever known.

In the early '80s, Italy's Taviani brothers, Paolo and Vittorio, made one of the true modern masterpieces, The Night of the Shooting Stars. Set in the last days of World War II, when Germans laid mines all over Tuscan villages and Fascists loyal to Mussolini killed their own countrymen, it was a very cruel film.

Bradley Cooper, who is nominated for an Academy Award for his performance as the bipolar Pat Solitano in Silver Linings Playbook, tells Fresh Air's Terry Gross that he and director David O. Russell approached the role with the idea that Cooper would "play as real and authentic as [h]e could."

The role is informed by Russell's son, who has been diagnosed with bipolar disorder. Says Cooper: "I definitely felt that anchor for [Russell]."

Clarinetist Anat Cohen is one of a handful of Israeli jazz musicians making a mark on the American jazz scene. She's been voted Clarinetist of the Year six years in a row by the Jazz Journalists Association, and her most recent album, Claroscuro, showcases the range of her talents and musical influences, from New Orleans-style jazz to Israel to Latin music — particularly that of Brazil.

Cohen says that the clarinet's somewhat old-fashioned reputation may be the result of the very thing that attracts her to the instrument.