Back in the late 1940s and early ‘50s the talk along the New York Rialto was about whether Tennessee Williams could broaden his approach. Sure, the critics and others said, he’s written great plays such as the ever-so-human “Glass Menagerie” and the stinging “A Streetcar Named Desire.” But can he go in other directions, take us to new places?
"Groundbreaking” is the word used in the press release announcing Festival Ballet Providence’s program this weekend at the Vets in Providence. And you know what? That’s probably not just publicity hype.
Providence’s newest theater, the Wilbury Group operates out of a defunct mill in Olneyville. These nights they are taking on a feisty play, “The Elaborate Entrance of Chad Deity” which was a runner-up for the 2010 Pulitzer Prize. While it begins with a look at professional wrestling, Bill Gale says it aims considerably higher. “The Elaborate Entrance of Chad Deity continues at the Wilbury Group through February 9th. Bill Gale reviews the performing arts for Rhode Island Public Radio.
When you enter Trinity Rep’s Dowling Theater these evenings you just can’t miss the mess. Designer Eugene Lee has outdone himself, creating a scene that looks like a teenager’s bedroom on a very bad day. The walls are covered with large carpets, all conflicting in tone and color. There’s a distinctly un-comfortable looking iron bed. Lamps from all eras abound. A Danish modern table, a keyboard from when, the 1960s, maybe? And above all is a huge crucifix, on which the murdered Jesus is nailed.